Rare Exports

I just recently caught a screening of Rare Exports: A Christmas Tale and I was definitely not disappointed. My expectations were relatively high after having seen the two short films previously released in this series, and while this version did stray somewhat from the concepts shown in the short films, it did stay true to the overall feel of the previous incarnations.

Although this film was not particularly deep or thought provoking it was very fun to watch and highly enjoyable. Somewhat creepy in places, this was mainly played up for humorous effect and overall the film displayed a dark sense of humor quite different from any Christmas movie that I have ever seen.

I would highly recommend this film to fans of the original short films or anyone looking for something a little bit different around the holiday season!

Full review here: http://thewildbore.blogspot.com/2010/12/rare-exports- Christmas-tale.html Finland isn't known for it's film exports, so here truly is a 'Rare Export' but should we return it? It's not exactly in the spirit of Christmas is it? This film is rather a prequel to two short films that the director made in 2003 and 2005 (both I will stick at the end of this article) where Santa isn't the merry old fat man we've come to know and love but is rather a beast of the wild that is tamed and exported around the world. But deciding that some short films weren't enough, Jalmari Helander decides to make a feature film about his 'hunters' before the events of Rare Exports Inc. & Rare Exports: Official Safety Instructions. I have to put this film into context because when viewing the film, not knowing much about it, it seemed very strange afterwards but now it kind of makes sense. However, it might be worth watching without seeing the videos included here, but it's your choice. Either way, the story is about how some corporate diggers are excavating something from a mountain near a remote village in the snowy outdoors. But it is a young boy who works out what is buried beneath and is taking every precaution just in case, whether it's taping cardboard to your bum or carrying around a shotgun, he's not taking any chances. I read somewhere that this harks back to the kiddie films of the Eighties like The Goonies where the kids were always right and the adults were idiots, but this has much more of a horror element to it. In fact, it is very funny in different places for different reasons but always keeps a dark, sinister edge whether it's the weird wooden dolls, the crazy rich excavator or the creepy Santa they find, there's always a tinge of horror at all times. The film is very well directed and, like many have said (mainly because of the snow) reminds people of The Thing, but all the set-up's are there and around the whole thing is the myth of Santa Claus (or Claws in this case). It makes for a very exciting, disturbing experience that is set around a time where people are supposed to get together and for someone who doesn't really enjoy Christmas, like myself, it makes a welcome distraction to all the 'niceness' of the Christmas season. The acting is, for the most part, very impressive and the end sequences with hundreds of naked old men running across the mountains is both funny and breathtaking at the same time. The film finds a great balance between horror, terror, humour and remembering that it shouldn't take itself too seriously, the gag is that it's about Santa after all. I always found something creepy about a fat, old man going into children's houses at night and giving them presents, seeing if they've been 'naughty or nice' and this plays on people's insecurities especially at a time where paedophilia is all over the news these days. It also has a rather serious, dramatic edge with an obviously painful father/son relationship, a man who is frustrated with the world and a 'coming-of-age' element about sacrifice and becoming independent. It could also be seen as a war of male generations, the son against the father, and the father against his own father, which in this case is represented by Father Christmas, it would make sense seeing as there is no females in the whole film but rather a world of manly hunters where soppy things like Christmas have no place. Overall, the film is enjoyable and the last five minutes is rather strange but makes sense once you see the short films. It might have a few plot holes but has been well thought out, perfectly directed and for something that could have so easily been one big joke, remains an impressive piece of work that the director clearly cared about. I recommend that you forget the usual Christmas ho-ho-Hell's and delve into a dark place where being naughty or nice is a life or death decision.

This is a great movie. It would have been impossible for Hollywood to have made this movie. They would have needed a huge special effects budget, and the continuity people would never have allowed it through. They would have played it as a goofy comedy. Thankfully it was made in Finland. If the Americans decide to do a remake, make sure you see the original first.

As it is, it is thoroughly clever, and wonderfully naively charming. The director had an idea, and chose an optimum path to realise that idea - a very tricky feat.

I'm from Australia, but I couldn't help wondering if Finnish people and New Zealanders are similar.

BTW, count the women who appear in the movie.

This might be a Christmas story, but note this will give kids nightmares. This Christmas tale is not about a happy child-loving Santa bearing gifts. Oh, no, quite the opposite!

At a drill sit in the mountains, sawdust is found at a depth of 1300 feet. As it turns out, sawdust was used years ago to keep things refrigerated. Story goes, years ago, the Sami people drove Santa onto a frozen lake, and when he fell in and froze, they hauled him out and buried him under rocks, thus creating a mountain. This Santa was a truly evil being.

When local reindeer hunters find hundreds of reindeer killed and left to rot, they blame the researchers and decide to pay them a visit to demand compensation. However, arriving at the site, they find it abandoned - and they discover a huge excavation site.

Young Pietari Kontio believes the pit to be where Santa is buried. Convinced Santa is evil, he fears Santa will come for all the children in town. When his Dad, Rauno (Jorma Tommila) finds a man in a wolf trap and believes him to be dead, Rauno and his friend, Piiparinen, take the man to his slaughterhouse where they decide how to get rid of the body. But they are horrified when the man suddenly comes to and doesn't act human. And this is only just the start of their hellish nightmare.

This film truly is creepy. The old man they found in the pit is a pure evil looking creature. In fact, I found him to be the film's highlight, as I never really knew what to expect from him. The make-up effects and visuals are fantastic, and the performances believable. The foreboding atmosphere significantly intensifies the moment the old man arrives, and had me on the edge of my seat.

Cleverly, this horror film relies entirely on suspense, and not blood and gore. At times the suspense gets under your skin, and I enjoy horror films that are able to accomplish this so effectively. If you're in the mood for a different kind of Christmas story around the Festive Season, then this is the perfect choice. I absolutely loved it and no doubt will be watching it every year around Christmas time. This was well worth the watch!

For me this is one of those films that I just instantly took to heart, it has the sort of implicit comedy that you expect from the Cohen brothers, and a theme which really plays with your ideas of horror. It does help if you have a bit of background in Finnish mythology, there's no explanation, even in the subtitles, of the yule goat, and the word Joulupukki's close links to old stories about a sort of mischievous Christmas devil. It does introduce some of the old stories, but doesn't explain how they are actually commonly known history pertaining to Father Christmas in Finland, and weren't made up for the film or anything like that. Other than that, the film is visually beautiful, musically dramatic to at least the extent that Danny Elfman had ever achieved for Tim Burton, and has a sort of dignity that something with an undercurrent of comedy rarely has, relying on its ability to be funny without trying, something that Quinten Tarantino and the Cohen Brothers often leave us slack jawed over. I definitely recommend it.