Immortals Connor and Duncan MacLeod must join forces against Kell, an evil immortal who has become too strong for anyone to face alone.Immortals Connor and Duncan MacLeod must join forces against Kell, an evil immortal who has become too strong for anyone to face alone.Immortals Connor and Duncan MacLeod must join forces against Kell, an evil immortal who has become too strong for anyone to face alone.
- Awards
- 1 nomination total
- Lachlan
- (as Edge)
Featured reviews
The series is it's own storyline, always was. It changed many of the 'established facts' of the original movie to better suit a long running series, rather than a 2 hr film. More or less, the original movie was set late in the 'game', when there were only a handful of the immortals left. The Gathering was near. In the series, the gathering isn't nearing, it's more of a legend. The number of immortals is large (Duncan does quite a bit of thinning, but still there are more), and new ones are being created all the time. This 'game' may run forever. This idea is well suited for a series, something that can last for many many many episodes. You can't string the audience along with 6 immortals for 8 seasons, it would be boring.
Taking the film for what it is, it's all right. I wasn't overly impressed, but it wasn't as annoying or repulsive as 2 and 3. Duncan was a more important character than Connor in the series. Connor was mainly there to introduce the series, and give the pilot a boost. He was really a minor character. In the series, immortals had very complex relationships, and sometimes working together for years. This was in the first movie, but in a more guarded, limited capacity. Ramirez implied he was going to move on once Connor was ready to make his own in the world, and Castagir hadn't seen Connor in 100 years, it being 200 years since they spent any time together. Not as chummy, but not 100% cold shoulder either.
The film works hard to explain differences in the life of Connor from first movie to series/last movie, doing a pretty good job, it does seem rushed, and a little contrived, but it worked. Like most Sci-Fi/Fantasy stories, the more they try to explain 'how things work' the deeper and deeper they dig themselves into a hole. This creates one of the silliest or most confusion elements of the story: transference of Quickening. Which annoyed many viewers.
Overall, for a fan of the series, this should be an enjoyable film. For fans of the original film, it may be disappointing. Personally, I am holding out for a movie version of a rumored screenplay: a biopic of Juan Sanchez Villalobos Ramirez, that Spanish Peacock!!! (Maybe Connery can be talked into it, but I won't hold my breath)
"Highlander" is a superb and woefully underrated fantasy adventure released in 1986. A high-concept swashbuckler, the film followed the notion that throughout history, a race of immortals have slowly risen- their everlasting life often the result of a traumatic original "death." Now undying, these figures have lived among us for centuries. But it comes at a cost- immortals are destined to eternal battle, only able to be killed through decapitation. Once one is slayed, their powers, memories and abilities are absorbed by the victor through a mysterious transfer known as "the quickening." In the end, there can be only one, and the last remaining immortal will be bestowed with "the gift"- an enigmatic ability that goes largely unexplained throughout the series. However, should the gift be bestowed upon one with a treacherous heart, it may very well spell a dark future for the world...
Part of the issue with the "Highlander" universe is that by virtue of the story, it's not a concept that supports the idea of a franchise. It's a one-off adventure. A self-contained tale with a distinct beginning and end. And through trying to endlessly sequalize the franchise with follow- ups, spin-offs and even animated series, it leads to an ever-growing level of contrivance and convolution. And nowhere is that more apparent than in 2000's "Highlander: Endgame."
An attempt to close the gap between the outstanding original film and the admittedly fun television franchise, we follow original movie hero Connor (Christopher Lambert) and television series lead Duncan (Adrian Paul) MacLeod, two immortals born in the Scottish Highlands centuries ago. Connor has grown cold and disconnected, as an evil immortal from his past called Jacob Kell (Bruce Payne) has been following him through the ages, and has began killing off those he holds dearest. Duncan soon learns of this treacherous villain, and of another revelation- an immortal who was once his own wife (Lisa Barbuscia) is one Kell's most devout followers. And so, our two immortal protagonists must band together to try and stop this deadly threat... but at what cost?
To give what little credit is due, there is a bit of fun to be had from time to time. Adrian Paul seems to be having an absolute blast, and there's a handful of entertaining flashback sequences to his adventures with Connor throughout the ages. It is these scenes where Lambert also is able to loosen up, and the two share a nice chemistry. It's also great fun seeing Martial Arts superstar Donnie Yen in one of his earlier American roles as one of Kell's followers. And a few of the new concepts introduced, while half-baked, are intriguing enough for long-time series fans and help expand the universe a bit.
However, any fun to be had stops with these limited and highly infrequent sequences. The script courtesy Joel Soisson is a fundamental mess. As is standard with the film franchise, continuity is thrown right out the window, with the film constantly and consistently contradicting not only previous films, but even elements from the television series. Many scenes feel forced and abrupt, and there's no real sense of pacing to be had. It's both jarring and boring all at once, causing you to check out almost instantly and never look back.
Performances outside of Paul are routinely foul and never connect with the audience. While he is given the occasional light-hearted flashback, Lambert is otherwise settled with dreary material as a man hollow from his loses, and comes off as all too bland. A real shame given how powerful he was earlier in the franchise. Barbuscia is just flat as a pancake, lacking charisma or emotion in what is merely a substandard love interest. And Payne. My god, Payne. The man doesn't chew the scenery... he swallows it whole. Alternatingly shouting and whispering his lines on a whim and over-emphasizing words at random, Payne is just a horrible joy to behold. Seriously, dude. Ease up on the caffeine!
But at least the action is good, right? Nope! Director Doug Aarniokoski seems in over his head, with the entire film imploding around him. He has no sense of style or scope, and his direction lacks basic composition and flow. Shot after piled on shot are all just bland and often uninspired, relying on first-year film-student logic, with little thought or effort. Key moments in the film lack dramatic weight or impact as a result of the haphazard staging. And even the action comes off as boring, with an over-reliance on static wide shots mixed with hilariously misjudged uses of visual effects and slow-motion. I can only assume at least once, the camera crew was confusingly told: "Well if we put the one camera somewhere vaguely over on the one side of the room... and then put another one at the other end of the room facing the opposite direction and maybe with a different lens, we can kinda cut between them and make a scene, I think? That's how directing works, right?"
The really hilarious thing though is two rather amusing side-notes to the film. First, even though it's still a mess, the DVD release has an unfinished workprint available as a special feature, with the intent of showing the audience how much a movie can change during production. And the kicker? The workprint, even in its unfinished state is a significantly better film that the final version! And the second: even the trailer was incompetent, being comprised mostly of fake footage created specifically to sell the film without being in it!
If you have to use fake footage to get people into the theater, you know your film is a mess. And so, "Highlander: Endgame" gets a very bad 3 out of 10.
i hope the production put the highlander movie's in video and DVD as well the highlander series too on video and DVD. ( for example : season 1 to 5 or 6 plus the behind-the-scenes footages and bloopers for free ). that will be great idea for christmas presents but also then again it up to the production or company.
if the creator of the highlander series and the movie, he should put Quentin macleod with duncun macleod in " highlander 5 " plus the new show called ( highlander the series : the lost clan ). it's just an idea of mine, i hope this will help the creator of the movies and series if he read this.
Did you know
- TriviaFor the scene in the cemetery where Duncan and Connnor meet following the events at the Sanctuary, they originally spoke French because both Paul and Lambert are fluent. During post-production, it was decided to switch the language to Scots Gaelic.
- GoofsIn the flashback that begins "Kildare, Ireland 1712" a fuss is made over the rogues exacting a toll on Kate's carriage "by order of the King". While Connor, Duncan and even Kate's party are aware that the "King's decree" is a fake, it seems strange that no one mentions the most obvious proof of this: the reigning monarch in 1712 was Queen Anne.
- Quotes
Methos: You know a little about Buddhist monks. Some of them come to cherish life so much that to step on an insect or harm a blade of grass becomes a violation of their creed, so the place themsleves under an extreme form of protective custody, a sanctuary of sorts. Well, for an Immortal who comes to abhor the bloodshed, there's a similar solution - a way to be removed from the game forever. Though the price is unimaginably high, but you are, for all practical purposes, protected from the violence within you.
- Alternate versionsThe original theatrical cut has been issued on DVD in Sweden, Denmark, Finland, Norway and Germany. It is also included as a bonus DVD on the Dutch DVD release incorrectly labeled as "Earlier full-length cut 100 min."
- ConnectionsFeatured in The Cutting Edge: The Magic of Movie Editing (2004)
- SoundtracksBonny Portmore
Performed by Jennifer McNeil
Arranged and produced by Stephen Graziano
Recorded and mixed by Jeff Vaughn
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Highlander 4: The Search for Connor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $12,811,858
- Opening weekend US & Canada
- $5,067,331
- Sep 3, 2000
- Gross worldwide
- $15,843,608
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1